POTTER, Paulus

Dutch Baroque Era Painter, 1625-1654 Son of Pieter Potter. He was related through his mother, Aechtie Pouwels (d 1636), to the wealthy and powerful von Egmont and Semeyns families, who held important offices in Enkhuizen and at the court in The Hague. He worked in his father's studio in Amsterdam during the 1630s and, like him, painted history subjects that show the strong influence of Claes Moeyaert, with whom Paulus may also have studied. In the painting Abraham Returning from Canaan he adapted the landscape setting from an etching by Moses van Uyttenbroeck and the figures from works by Moeyaert from over ten years earlier. Significantly, however, he redistributed the numerous animals and figures that Moeyaert had aligned evenly across the frontal plane; Potter placed them to one side, permitting a view into the deep distance where other animals can be seen. Potter followed his father more than Moeyaert in searching for ways to integrate his figures with the landscape,


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POTTER, Paulus The Piebald Horse oil


The Piebald Horse
Painting ID::  19924
The Piebald Horse
1650-54 Oil on canvas J. Paul Getty Museum, Los Angeles.
1650-54 Oil_on_canvas J._Paul_Getty_Museum,_Los_Angeles.
   
   
     

POTTER, Paulus Two Drafthorses in Front of a Cottage (mk05) oil


Two Drafthorses in Front of a Cottage (mk05)
Painting ID::  20604
Two Drafthorses in Front of a Cottage (mk05)
1649 Wood 9 1/2 x 10 1/4''(24 x 26 cm)Seized in the Revolution INV
   
   
     

POTTER, Paulus Peasant Family with Animals (mk08) oil


Peasant Family with Animals (mk08)
Painting ID::  21792
Peasant Family with Animals (mk08)
1646 Oil on panel 37.1x29.5cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
   
   
     

POTTER, Paulus Watchdog oil


Watchdog
Painting ID::  28350
Watchdog
mk60 Oil on canvas 38x52"
mk60 Oil_on_canvas 38x52"
   
   
     

POTTER, Paulus A Farm oil


A Farm
Painting ID::  28394
A Farm
mk60 1649 Oil on panel 32x45 1/2'
mk60 1649 Oil_on_panel 32x45_1/2'
   
   
     

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     POTTER, Paulus
     Dutch Baroque Era Painter, 1625-1654 Son of Pieter Potter. He was related through his mother, Aechtie Pouwels (d 1636), to the wealthy and powerful von Egmont and Semeyns families, who held important offices in Enkhuizen and at the court in The Hague. He worked in his father's studio in Amsterdam during the 1630s and, like him, painted history subjects that show the strong influence of Claes Moeyaert, with whom Paulus may also have studied. In the painting Abraham Returning from Canaan he adapted the landscape setting from an etching by Moses van Uyttenbroeck and the figures from works by Moeyaert from over ten years earlier. Significantly, however, he redistributed the numerous animals and figures that Moeyaert had aligned evenly across the frontal plane; Potter placed them to one side, permitting a view into the deep distance where other animals can be seen. Potter followed his father more than Moeyaert in searching for ways to integrate his figures with the landscape,

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